Felix Kubin, Geneva Cave 12, 4 May 2017

One of the most pleasant surprises I’ve had since moving to Geneva has been the discovery of the music venue Cave 12. At first sight a close relative of the Rhiz in Vienna, on further inspection Cave 12 is actually outdoing the Rhiz these days in terms of its ability to attract some of the key names in experimental music. I’m still reeling from Richard Youngs’ extraordinary concert there in February, while performances by Peter Rehberg, Tyondai Braxton (which I never got around to reviewing; maybe some other time) and the late Mika Vainio weren’t too shabby either.

One key difference between those concerts and Felix Kubin’s appearance at Cave 12 in May was that the venue was absolutely packed out for Kubin, compared to the rather sparse attendance on the other evenings. Prior to the concert I was only vaguely aware of this guy’s work, thanks mainly to a Wire cover story a few years ago. But I’m very glad I took a punt on Kubin, since he gave one of the most enjoyable concerts of the year so far.

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Mika Vainio, Geneva Cave 12, 2 February 2017

Like everyone else who was aware of him and his work, I was deeply saddened by the death earlier this month of Mika Vainio. I didn’t know Mika personally, but I was lucky enough to spend some time with him in 1997, when Panasonic opened for Swans on their “final” European tour, for which I was the merchandise seller. This position meant long hours travelling in a big tour bus, time variously spent watching videos, chatting and sleeping (mostly the latter). Mika was a less frequent participant in these conversations than his Panasonic colleague Ilpo, but when he did join in, his contributions were always worth hearing. On one occasion, the conversation turned (how, I have no idea) to the topic of tenpin bowling. I expressed the opinion, which I still fervently hold, that one’s enjoyment of this game was hampered by its unnecessarily complex scoring system. Mika thought for a moment and then replied lugubriously: “It does not matter what is the score.”

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