Back in 2012, I made a fairly hopeful wishlist of the fifteen musicians I most wanted to see live. Fulfilling the list has been an uphill struggle, even though nearly all the people on it are still active and regularly touring; up until a week or two ago, I’d only been able to tick two of the fifteen off the list. Now, though, and thanks to the brilliant programming at Cave 12, I’m able to tick off a third.
Richard Youngs has actually been on my radar ever since 2002, when I reviewed his early acoustic masterpieces Sapphie and Making Paper for The Sound Projector. I’ve kept an eye on his output since then, without ever attempting to keep up with the endless flow of releases that have appeared under his name. Every so often, though, I’ve picked up one of them and have been staggered by the variety and the creativity Youngs brings to everything he does.