One of the most pleasant surprises I’ve had since moving to Geneva has been the discovery of the music venue Cave 12. At first sight a close relative of the Rhiz in Vienna, on further inspection Cave 12 is actually outdoing the Rhiz these days in terms of its ability to attract some of the key names in experimental music. I’m still reeling from Richard Youngs’ extraordinary concert there in February, while performances by Peter Rehberg, Tyondai Braxton (which I never got around to reviewing; maybe some other time) and the late Mika Vainio weren’t too shabby either.
One key difference between those concerts and Felix Kubin’s appearance at Cave 12 in May was that the venue was absolutely packed out for Kubin, compared to the rather sparse attendance on the other evenings. Prior to the concert I was only vaguely aware of this guy’s work, thanks mainly to a Wire cover story a few years ago. But I’m very glad I took a punt on Kubin, since he gave one of the most enjoyable concerts of the year so far.