Philip Glass: Akhnaten, London English National Opera, 18 March 2016

My long, slow initiation into the world of opera continues, all of it so far through the music of Philip Glass. Following the overwhelming experience of Einstein on the Beach in London in 2012, and the intermittently fascinating but relatively minor The Lost in Linz a year later, last month I made a return trip to London for my first ever visit to the English National Opera. The occasion, of course, was the last night of the ENO’s new production of Akhnaten, the third part of Glass’s major trilogy of operas about historical figures. (At this rate I should be able to tick off the second part of the trilogy, Satyagraha, somewhere around 2020.)

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