Highlights of 2022

A few words on the year about to end. Highlight of the year: my book on Peter Hammill was published to good reviews.

Old music: it was a great year for archival box sets – Xenakis’ Electroacoustic Works, :zoviet*france:’s Châsse 3, Albert Ayler’s Revelations, The Beatles’ Revolver. I also loved the reissue of Savage Republic’s Tragic Figures and the ultra-limited handmade packages from Finders Keepers Records – Graeme Miller’s Comet In Moominland, Bruno Spoerri’s Der Würger vom Tower.

New music: Shearwater’s The Great Awakening was comfortably my album of the year. Other fine releases: Beth Orton’s Weather Alive, Richard Dawson’s The Ruby Cord, Will Sheff’s Nothing Special, Breathless’ See Those Colours Fly.

Concerts: this was the year live music took off again. Highlights: Van der Graaf Generator in London and Paris. The Young Gods, Kraftwerk, Nick Mason’s Saucerful of Secrets, Buttercup Metal Polish and Kollaps in Geneva. Tindersticks in Lille. Einstürzende Neubauten in Lausanne. Nick Cave & The Bad Seeds in Montreux.

Reading: Jonathan Franzen’s Crossroads. Paul Morley’s A Sound Mind. Markus Müller’s monumental FMP: The Living Music. Rob Young’s The Magic Box. Andy Beckett’s When The Lights Went Out. Louise Erdrich’s The Night Watchman.

TV: another great year for drama. For All Mankind, The White Lotus, My Brilliant Friend, We Own This City, Severance, Sherwood, Bad Sisters, A Friend of the Family. I watched folk horror classics Children of the Stones and The Owl Service with my daughter, but I enjoyed them a lot more than she did.

Deaths: I mourn the passing of Hermann Nitsch, Bill Bryden, Norma Waterson, Albin Julius, Mimi Parker and Harrison Birtwistle.

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