Nice to catch a gig at Shelter again. I hadn’t been there for over two years, since checking it out for the Time Out guide, and was relieved to discover that nothing much has changed there in the meantime. Guinness and Strongbow are still on draught, the table football is still there and so is the pinball machine. Not that I was there to play retro games, since Kern and Quehenberger were lined up to make a holy, disciplined racket on drums and synths. And speaking of retro, it seems as though this duo have released their first album on cassette only in an edition of 99 copies which is already sold out. Spare copy, anyone? And maybe you could provide me with something to play it on at the same time. I still haven’t heard that Peter Rehberg cassette I bought a year or two ago.
This was the first time I had heard this duo. Quehenberger was new to me as well, although Kern was known to me from his work with Heaven And, Bulbul and Broken Heart Collector as well as his one-off appearance backing Jandek in 2009. On this occasion he dominated proceedings through an extraordinary barrage of polyrhythmic drumming. Switching with ease between forceful anchored rhythms and out-and-out free sections, Kern made the stage his own to such an extent that Quehenberger at times struggled to make his presence felt. The keyboardist kept things bubbling along nicely enough with attractive riffs and melodies, but Kern’s playing was so intensely fluid and total that there often seemed little room for a second instrument. On the other hand, the physicality of Quehenberger’s approach – playing as though hardwired to the keyboard, practically dancing to the insane reach of Kern’s percussive attack – came as a welcome antithesis to the stereotypical image of the immobile synth man prodding sullenly away.
For the encores the duo were joined by saxophonist Marco Eneidi, leader of the Neu New York/Vienna Institute of Improvised Music, the weekly free jazz blowout at which both Kern and Quehenberger are regular guests. Eneidi’s astringent blasts brought a vivid extra dimension to the music and seemed to lead the keyboard player towards harder, heavier modes of activity. With the warm textures of Quehenberger’s analogue synthesizers melting blissfully into Kern’s infinite rhythms, the duo’s navigation of inner space was as mesmerising as it was heroic.
Yes, this is an extremely powerful duo. I saw them play a set at 2008’s Wien Modern Elektrophiliale and consider this one of my most memorable, inspiring Viennese concert experiences — an evening of very positive consequences and ramifications, it told me a lot about dancing, physically engaging with the perceived sound at concerts. Back then, they reminded me of a more technoid Flower-Corsano Duo, and while I’m not sure whether I’d subscribe to that today, that idea certainly had to do with how the duo propelled its sound (and audience), let it spiral…
The trio line-up that you saw perform the encore played a full set at January’s Turn On My Theta! festival and was just as good. I’d love to see an Eneidi / Kern / Quehenberger release come out. Greater exposure for any of those combinations would be a good thing, really.
The album you mentioned and asked about is available for download (free / donation) at the Interstellar Records website: http://www.interstellarrecords.at/media/