“Accounts of madness, childbirth, loneliness and grief”: remembering 10,000 Maniacs

Another in an occasional series in which I recall formative experiences with some of my favourite artists.

It took me a while to find 10,000 Maniacs, but once I’d done so, they had me for life. A friend at Sussex made me a C90 with their 1987 album In My Tribe on one side and REM’s Green, released the following year, on the other. The pairing was significant, since in those days REM and 10,000 Maniacs were often bracketed together under the helpful genre of what was then known as “college rock”. Since I was at what the Americans would call college at the time, it was natural that I should gravitate towards this kind of music, having already taken a shine to such soundtrackers of 1980s British student life as Lloyd Cole & the Commotions, The The and Cocteau Twins (although not the Smiths). In truth REM never did very much for me, although the five independent albums they made between 1983 and 1987 cast an air of mystery that easily outstripped their later major-label releases. 10,000 Maniacs, however, were to become hugely important to me as the 1980s shaded into the 1990s, and remain so to this day.

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